I really believe there clearly was a response to the question, thus I can give it an intensive attempt.
First, it depends about what your priorities are. There are several reasons why you should utilize a DAW. Some people utilize them just as a more interactive tape machine, other individuals use them as a whole studio (like myself). For a few people price is an important concern, for some cash is perhaps not an object. Some users value an immersive MIDI/plugin integration for structure (hip-hop/EDM producers, artists), some choose using the services of items of audio (recording, combine, & mastering designers). Most are happy just making straight from their particular shop, others need easy compatibility with external studios. I'll list 3 top DAW products which I have significant experience making use of and describe how every one fulfills each category, from that, you may make a sensible decision as to which DAW is best for your needs. I am not deciding on exactly how effortlessly any project will transition to a live environment, or live-performance features after all, this response is written strictly from a studio-work perspective, but some DAWs make strides to be more live-friendly therefore I will point out that in which it is applicable.
The products are not listed in purchase of superiority, but rather your order by which I thought of them. We have attemptedto review their ranking with a 5-symbol ranking system in each group of issue as well as in total, that I've averaged from their particular rank in each category. DAW's that price even more need a lowered expense ($) rating, that will be counter-intuitive, but makes the scoring system constant and easily averaged.
1. ProTools ****Clearly the standard and a lot of popular in studios worldwide. ProTools began life as a robust modifying screen designed to digitize sound and then make it effortlessly editable, while maintaining extremely high audio high quality. This will be one of the reasons ProTools (for many years) needed that you employ their screen; that they had put great attention into making converters that represented their particular item well, in addition they understood there computer software is judged with this issue. For them, it was a package bargain: great audio hardware, powerful computer software, great end result. Virtually every significant label record you have heard in the last 20 years had been modified on or otherwise saw the within of a ProTools setup.
ProTools just isn't inexpensive. Even though these days you need to use ProTools with a non-ProTools screen, the program itself, along with any good plugin setup can cost you thousands. That is money well spent, but in the event that you need top-notch quality, real-time plug-in tracking while tracking, and extensive studio compatibility, or perhaps you are creating an album for extensive launch on a major or indie label.